The Dj Essay Research Paper The DJ free essay sample

The Dj Essay, Research Paper The DJ About 15 old ages ago a civilization was born. In Europe a new type of music was being created. Something new, something fresh. A music fueled by throbbing beats over rattling bass. This is electronic music. The originator behind this whole up and approaching civilization was and is the DJ. In the past five old ages have become more and more popular everyday. Some people who are non cognizant of this music or this civilization might reason that being a DJ is non a serious profession for assorted grounds. Throughout this paper I will turn out these impressions faithlessly. As support I will supply the history of the DJ, what precisely it is, insight from assorted DJ # 8217 ; s and much more. It all began about 15 old ages ago. In towns in Europe people started throwing secret parties, little parties more of a societal event to party and have fun. At these parties at that place would DJ # 8217 ; s whirling early electronic sounds and dancing. Not excessively long after that word started to distribute and more and more people wanted to # 8220 ; party # 8221 ; . So the people throwing these parties sought out bigger topographic points to hold these parties that could suit more people. It grew so fast that secret information phone lines were created to forestall jobs with the governments. Over the following few old ages more and more people grew to love these parties for the music and the overall ambiance. Besides more and more electronic creative persons started to come up. As popular as these events were the truth is without the DJ none of it would hold been possible. In the early 1890ss this turning belowground motion started to organize easy in the United States and other states. These parties shortly took on the name of # 8220 ; raves # 8221 ; . In Europe these raves grew invariably. Soon there were raves being thrown with five to ten thousand people in attending. Soon thenceforth we started to see non merely the growing of a music and civilization but besides a new industry. There started to be more and more electronic creative persons come uping everyday. The engineering increased really fast every twelvemonth more new equipment allowed new originative boundaries to be broken. Soon the DJ easy started to go more of the focal point of these # 8220 ; raves # 8221 ; . DJ # 8217 ; s started to be the attractive forces of these raves alternatively of merely a topographic point to hold merriment. The DJ # 8217 ; s started to do names for themselves along with this came different manners of DJing. One of the first manners of electronic music created was house music. This music rapidly moved into cabarets and raves. Soon thenceforth many different manners of electronic music were born. Such as, interruption round, membranophone and bass, difficult house, enchantment, progressive enchantment, large round, and happy hardcore ( www.clubdance.com ) . DJ # 8217 ; s started to specialise in certain types of electronic music. Some started to see themselves non merely as DJ # 8217 ; s but besides artists. The music became more about look and integrity. In a recent documental membranophone and bass creative person Roni Size says ( Better Living Through Circuitry ) # 8220 ; When I step behind the tabular arraies at a party it # 8217 ; s more than merely playing paths for a group of people. It # 8217 ; s like my end to take these people to a topographic point they have non been earlier. To make a mix that is so alone and intense that takes the audience and puts them all into a new topographic point together. It # 8217 ; s an art signifier! # 8221 ; As you can see by this statement these DJ # 8217 ; s take their occupations earnestly. Soon DJ # 8217 ; s started to non merely put out many mix cadmium # 8217 ; s but besides they started bring forthing their ain paths. I think tha t this was a great discovery in this type of music. Over the past few old ages some of the best electronic albums put out have been by DJ # 8217 ; s. DJ # 8217 ; s shortly started to travel on their ain Tourss, playing locales that stone sets play at. They were non merely playing at these locales but besides selling them out at the same clip. Perfect grounds of this comes from a book The Ambient Century, # 8220 ; Dance music exploded into a phenomenon that seemed to hold no terminal. As the music mutated, new signifiers were thrown up by the twelvemonth. Ambient House and Ambient Techno were mind balming responses to the strength of the club civilization. Trip-hop and Drum and Bass were UK black fluctuations of what was originally an invention by black Americans. Rock music absorbed House and Techno, and DJ # 8217 ; s and electronicists began to tour and move like stone stars. As one century tipped into another, dance music was still a primary beginning of involvement and creati veness as Trance, a futuristic blend of engineering and House and Techno, became a chart-topping, Earth deadening esthesis # 8221 ; ( Prendergast pg 367 ) . Another great more specific illustration of this is Paul Oakenfold as written in Last dark a DJ saved my life, # 8220 ; When Paul Oakenfold plays records in a nine, every individual on the dance floor will be confronting him. Just like they # 8217 ; 500 face a stone set on a phase. There # 8217 ; s non much to see: a baseball cap possibly, a studious face tilting into a brace of earphones, some minimum arm motions as he slides in another unflawed mix. Occasionally he might throw his custodies up in exhilaration, smiling out in response to a peculiarly expansive path, or portion a blink of an eye with some energetic fan, and when he does, there # 8217 ; ll be a sea of custodies aloft, a jailbreak of beckoning and smile, an ocean of smiling terpsichoreans mirroring his every gesture. For he is a ace # 8221 ; ( Brewster pg 38 4 ) . Along with these Tourss came one-year festivals. Huge festivals every twelvemonth with sometimes over a 100 thousand people in attending. Some of these are Love Parade and Gatecrasher ( www.loveparade.com ) A ; ( www.gatecrasher.com ) . Just like any music industry this one shortly started holding conventions. The biggest 1 is the Winter Music Conference ( www.wmcon.com ) . This normally includes anybody and everybody in electronic music. A three twenty-four hours long festival including a show window of the new cogwheel and equipment and the best endowment in the music acting. In Europe now DJ # 8217 ; s are going bigger than stone stars. They walk down the street and people flock. DJ # 8217 ; s like this are Fatboy Slim, Paul Oakenfold, Carl Cox and John Digweed ( www.yahoo.com ) . So now that you have a brief background on the history of DJ # 8217 ; s you might inquire what different types of occupations are available out at that place for DJ # 8217 ; s. Well foremost of all there is the sort of Disk-jockeying I have been chiefly concentrating on that is the rave DJ. There are besides many chances for work these yearss in dark nines all over the universe. The dark nine industry now is going a really big industry. Some are stating even more so that the yearss of Studio Fifty-Four. Besides there are a batch of occupations as Mobile DJ # 8217 ; s. These DJ # 8217 ; s normally work for a company. These companies do parties, nuptialss, and all kinds of particular events. On a sail I went on last summer I met a nomadic DJ that works out of Houston. He said, # 8220 ; Even though I have a grade in Communications I cant beat the sum of available work and the money of being a DJ. I can draw in 60,000 to 70,000 a twelvemonth if I work hard.† This alone shows how in need the universe is of DJ’s. So now that you have a good thought of the history of DJ # 8217 ; s and what occupations are available you might be inquiring what it takes to be a good DJ. Well this inquiry all depends on whom you ask. So I have collaborated different thought of what a good DJ is. First of all a good DJ has to cognize the music he is whirling. Not merely does he hold to cognize it like the dorsum of his manus but besides they have to hold a love for the music. Without the love and passion for this occupation so it changes from an art signifier to merely playing music. A good DJ has to hold cognition of the crowd and how to work them into craze. Many different small accomplishments are all combined together to do a great DJ. DJ Tony Humphries who has worked professionally since 1977 and has been a major influence on his equals in New York City, speaks from an belowground position on a good Disk jockey: # 8220 ; DJ # 8217 ; s have to understand the construct of programming. How to interrupt a reco rd. How to play with records, repetition presentations, lengthen interruptions, terminations # 8230 ; # 8230 ; There is an art to programming your set # 8230 ; # 8230 ; .The DJ who plays all his hottest records in a row is non making his occupation right. You can # 8217 ; t play all your best stuff all at one time because you want to salvage some of it for later in the eventide. The DJ does non into that power record the same manner the crowd does. You are supposed to be separate from the crowd. You # 8217 ; rheniums supposed to be into exposing them to new stuff. So, what you do is play a path, followed by something new and so you back it up with something they know and like. It # 8217 ; s like a train drive. The crowd becomes trustworthy that you will come back with something they like. It # 8217 ; s the fifteen-minute game. About every 3rd vocal, you give them a good known vocal. After one hr, the crowd has been exposed to ten new records. That manner, you please yourself and the crowd. Larry Levan was great at this. The most of import thing to retrieve is that musical content, how you plan, is more of import than existent commixture accomplishments sometimes # 8221 ; ( Fikentscher p38 ) . As you can see there are many different things that a DJ has to cognize. Another position of a good DJ was taken from a book called Last dark a DJ saved my life, # 8220 ; At its most basic DJing is the act of showing a series of records for an audience # 8217 ; s enjoyment. So at the simplest degree a DJ is a presenter. This is what wireless DJ # 8217 ; s do, they introduce music. However the nine DJ has mostly abandoned this function for something more musically originative. To go a good DJ you have to develop the hungriness. You have to seek for new records with the insane ardor of a gold haste prospector excavation in a snowstorm. The kernel of the DJ # 8217 ; s trade is choosing which records to play and in what order. A great DJ should be able to travel a crowd on the most crude equipment. More than anything else, it # 8217 ; s how sensitively a DJ can interact with a crowd. A good DJ International Relations and Security Network # 8217 ; t merely stringing records together, he # 8217 ; s commanding the relationship between some music and 100s of people. A good DJ is ever looking at the crowd, seeing what they like, seeing whether it # 8217 ; s working or non ; pass oning with them, smiling at them. And a bad DJ is ever looking down at the decks and merely making whatever they practiced in their sleeping room # 8221 ; ( Brewster pg 9 ) . As you can see it # 8217 ; s non every bit easy as it might foremost look a batch of clip and dedication to derive the cognition. To acquire a more personal penetration on the subject of what a good DJ is and many other things I interviewed a good known DJ of New Mexico and Texas DJ Tim House. When I went to Tim # 8217 ; s house of class before we started the interview we took turns DJing for approximately 2 hours. Once we sat down I got a great penetration on the DJ universe through his eyes. First he stated that the term # 8220 ; DJ # 8221 ; he thinks is a really wide term he said there are DJ # 8217 ; s that are merely up at that place playing records and so there are DJ # 8217 ; s like myself who like to believe of ourselves as entertainers and instrumentalists. # 8220 ; You have to pass on with everybody through your music alternatively of with words # 8221 ; . When asked what his definition of a good Disk jockey was he smiled and replied, # 8220 ; When a DJ can entertain any audience given to them. When they can take a group of people that is wholly different and unite all of them with music # 8230 ; .It is a really beautiful thing # 8221 ; . One of the most of import inquiries that I asked Tim was if he himself considered being a DJ as a serious profession . He replied, # 8220 ; Oh, most decidedly! Of class it depends what he is making with it and how difficult he works but ya it pays my measures # 8221 ; . And one last inquiry I asked was why do you believe that some people might non believe of a DJ as a serious profession. He replied, # 8220 ; They don # 8217 ; t see the electronic civilization at least non yet, everybody will finally. Peoples have and ever will desire to dance! # 8221 ; . As you can see people in this profession and people in this civilization take the occupation of a DJ really serious. Now that you have al this cognition do you desire to cognize my personal sentiment? Well foremost of all I started Disk-jockeying when I was 15. Something about it for me merely fascinated me. It became more and more interesting to me mundane as I would tilt more about the civilization and the history. I would come place from school and travel directly up to my room to blend for the remainder of the twenty-four hours sometimes. It is my lone passion that I have of all time had. I love playing for people whether it # 8217 ; s in my room, at a party, or in a nine. I love it. Already I have made money making this. I mean New Years eve I made two hundred dollars for one hours work. What occupation is better than this? Well the reply is there is no better profession than a DJ. You get to entertain people, be a musician, and make what you love. Throughout this paper I have filled you # 8217 ; re heard with cognition of the DJ and it # 8217 ; s civilization so you can break understand how great of a profession this truly is. How many people if you asked them would state they love to travel to work and their occupation is their passion. Not that many! If you asked me or any other DJ they could state yes. Brewster, Bill. Last dark a DJ saved my life: New York: Headline Book Publishing, 1999. Fikentscher, Kai. # 8220 ; You Better Work! # 8221 ; Underground Dance Music In New York City: Hannover: Wesleyan University Press, 2000 House, Tim. DJ, Midwest Area. Personal Interview. 15 Mar 2001. Prendergast, Mark. The Ambient Century: New York: Bloomsbury Publishing, 2000 Reiss, Jon, dir. Better Populating Through Circuitry. DVD A Cleopatra Picture 2000. hypertext transfer protocol: //www.clubdance.nl/english/index_frame.html hypertext transfer protocol: //www.loveparade.de/ hypertext transfer protocol: //www.wmcon.com/mn_abtus.htm hypertext transfer protocol: //www.dir.yahoo.com/entertainment/music/artists/by_genre/electronical/disc_jockeys/ hypertext transfer protocol: //www.gatecrasher.com/gc3flash/welcome.htm