A Critique on the Blank Slate, the Noble Savage and the...

A Critique on The Blank Slate, The Noble Savage and The Ghost in the Machine. There are three doctrines which have attained sacred status in modern intellectual life. The Blank Slate, a loose translation of the medieval Latin term tabula rasa, scraped tablet, commonly attributed to John Locke which delves into the opposing of political status quos and social arrangements, stating mainly that the mind is like a sheet of white paper void of all characters and ideas, furnished with words through experience; it denounced the differences seen among races, including the institution of slavery as slaves could no longer be thought of as innately inferior, ethnic groups, sexes and individuals for the differences come not from the innate†¦show more content†¦Thinking of it gives me shivers as it implies that we are beings far greater than we imagined. And as good as it may sound, I think it appeals to man’s egotistic nature; we as humans who have done things, good and evil, try to look for a sound explanation to ease our consciences. I cannot say that the idea does not appeal to me yet I cannot also say that I do agree with it; on the other hand, of the three doctrines, I agree the most with the doctrine of The Noble Savage. I do believe that in our true nature, we are savages but that does not mean that we did not know how to control ourselves; indeed it would seem that the Native Americans, the specific race of people that the Europeans based the doctrine of The Noble Savage on, had a better society than we did: they were less barbaric, no employment problems and substance abuse, even crime was nearly nonexistent. And even if there were hard times, life was definitely stable and predictable. And yet that in itself was the reason why man chose to come out of his â€Å"savage† nature; he wanted adventure, twist and turns in his life; he wanted to feel the thrill of living. There is nothing wrong with that but for every choice there is a price to pay and the pric e we paid was high even if it remains to be seenShow MoreRelatedLogical Reasoning189930 Words   |  760 Pages.............................................................................................. 89 Context and Background Knowledge ........................................................................................... 90 Disambiguation by Machine .......................................................................................................... 94 Semantic Disagreements ................................................................................................................

“No Matter The Reason, Revenge Causes A Cycle That Continues

â€Å"No matter the reason, revenge causes a cycle that continues and never ends. It poisons the lives of everyone around you, close to you. Seeking revenge becomes all that you desire but comes at a hefty price.† It is as though Aaron Gromis reflected the tragedy of William Shakespeare s Hamlet, as he uttered these timeless words. In Shakespeare s longest play, several of the characters become engulfed in the desire to kill their foes for their wrongdoings. Their thirst for revenge provokes them to act in irrational manners and fills their mind, body, and soul like poison. It inhibits them from doing anything else and ultimately consumes them into nothingness with no greater good achieved. Shakespeare uses these characters to highlight†¦show more content†¦Hamlet feels unable to take revenge unless he is absolutely sure of Claudius guilt. Hamlet fears that the Ghost is not his father but an evil spirit sent to tempt him to Hell. So he devises a plan to gather ev idence and facts before he kills Claudius. Hamlet comes out of character in order for the plan to work and loses himself in the process. Hamlet decides to act insane and unstable in front of his peers and family in order to closely observe his uncle and to give him enough time to get Claudius to admit his sins, for no one pays attention to the crazy man and no one will bother him. Hamlet acts as though he is severely devastated by his death and that it has caused him to lose his sanity. He is short and rude to his mother and terribly insults Ophelia,his true love, all in the wave of justifying revenge. Hamlet and Ophelia are in love but are not allowed to be together for Ophelia’s father and brother Laertes feel as though Hamlet’s intentions are not true and that she will not be married to him for he can not pick to whom he shall marry. This creates conflict between them and Hamlet uses it as fuel to manifest his illusion. He is rude, ignorant and chaste to Ophelia an d tells her to go to a nunnery and commit herself to the lord (Act 2, scene 5). He drives away those he loves for they are not acknowledging his father’s death as he would desire and have moved on with their lives. This deepens his thirst to prove Claudius s guilt and give himShow MoreRelatedNo Matter The Reason, Revenge Causes A Cycle That Continues1108 Words   |  5 PagesNo matter the reason, revenge causes a cycle that continues and never ends. It poisons the lives of everyone around you, close to you. Seeking revenge becomes all that you desire but comes at a hefty price.† It is as though Aaron Gromis reflected the tragedy of William Shakespeare s Hamlet, as he uttered these timeless words. In Shakespeare s longest play, several of the characters become engulfed in the desire to kill their foes for their wrongdoings. Their thirst for revenge provokes themRead MoreRahul Bagga. Mr. Leighton. English 4, Period 3. 09 May1646 Words   |  7 PagesRahul Bagga Mr. Leighton English 4, Period 3 09 May 2017 Revenge? According to global issues, 12.6 million people die from diseases every year. Similar to diseases, acts of violence takes away lives of 1.6 million people every year as well. Astonishing and shocking news to some, but sadly this is the truth and many people do not choose to step up to help prevent this from happening. In the short story written by Alex Kotlowitz entitled Blocking the Transmission of Violence, a group of ex-gang membersRead MoreWuthering Heights1634 Words   |  7 PagesThrushcross Grange and Wuthering Heights play ironic roles in the emotional and physical suffering of the characters that overall created a generational cycle of revenge that is told from the neutral perspective of Nelly Dean to Lockwood. Nelly Dean was the maid to the Earnshaw and Linton family and was a neutral witness to the generational cycle of revenge and suffering. She tells the story of the Earnshaw and Linton families to Lockwood, the new resident of Thrushcross Grange, because he is curious ofRead MoreCapital Punishment1137 Words   |  5 PagesFirst Precept requires individuals to abstain from injuring or killing any living creature.† From the doctrine, it is clear that no physical punishment is justified, no matter how bad the crime. Chapter 10 of the Dhammapada (2012) states, Everyone fears punishment; everyone fears death, just as you do. Therefore you do not kill or cause to be killed. Buddhists are taught to forgive other’s wrong done and they believe in the superior power of the Buddha s teaching to rehabilitate murderers and otherRead MoreA Better Understanding Of The Great Mexican By Juan Rulfo1630 Words   |  7 Pagescorrectional school of sorts. The era from 1928 to 1934 was known as the Maximato period, where Mexico’s government was that of a populist one. The majority of the era’s presidency was ran by Elà ­as Calles. During this period of fascism, Rulfo decided to continue his studies in Mexico City in 1933 at the National U niversity. Unable to afford it, Rulfo dropped out of university and decided to become a writer, despite his economic condition at the time. As Rulfo’s writing career began to flourish, the topicsRead MoreGermanic Culture Preserved in Beowulf1284 Words   |  6 Pagesmake sense to them because of the unwritten rules they have set up. The differences in these cultures make it difficult for people today to find interest in the values found in early Germanic times. Including Germanic values of courage, loyalty, and revenge in the story of Beowulf both teaches and preserves the early Germanic culture for future generations to learn from. An important aspect of life for the people in the poem, courage, made clear by the heroic deeds of Beowulf and later, Wiglaf, asRead MoreSecular Humanism - Death Penalty1046 Words   |  5 Pagesvery important tool in fighting violent pre-meditated murder. From my point of view as a secular humanist, death penalty should be banned as a form of punishment. Secular humanism is a philosophical school of thought that advocates the use of reason, compassion, scientific inquiry, ethics, justice, and equality. It appeals to agnostics, atheists, freethinkers, rationalists, skeptics, and materialists. Secular Humanism often finds itself in conflict with religious fundamentalism over the issueRead MoreThe Pillars Of The Prison System1221 Words   |  5 Pagesto rehabilitate them. People must realize that having one’s freedom taken away in and of itself is a punishment, no matter what prison a person is in. The focus on punishment in the U.S. justice system has made prison seem like a means for revenge rather than for punishment. Revenge will not help anyone, and will not improve the situation in any way. The feeling of getting revenge is a destructive one for the victim, for society, for everyone. On the other side of the world, 7000 miles across theRead MoreAn Eye for an Eye: The Death Penalty1553 Words   |  7 Pagesvirtually as long as human civilization has existed. The reasons why are apparent; it is intrinsically logical to human beings that a person who takes the life of another should also be killed. This philosophy is exemplified in the famous Biblical passage, An eye for an eye, and a tooth for a tooth. However, in light of recent research into ethics, criminology and the justice system, the time has come for us to re-examine our ageless paradigm of revenge. 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The Dj Essay Research Paper The DJ free essay sample

The Dj Essay, Research Paper The DJ About 15 old ages ago a civilization was born. In Europe a new type of music was being created. Something new, something fresh. A music fueled by throbbing beats over rattling bass. This is electronic music. The originator behind this whole up and approaching civilization was and is the DJ. In the past five old ages have become more and more popular everyday. Some people who are non cognizant of this music or this civilization might reason that being a DJ is non a serious profession for assorted grounds. Throughout this paper I will turn out these impressions faithlessly. As support I will supply the history of the DJ, what precisely it is, insight from assorted DJ # 8217 ; s and much more. It all began about 15 old ages ago. In towns in Europe people started throwing secret parties, little parties more of a societal event to party and have fun. At these parties at that place would DJ # 8217 ; s whirling early electronic sounds and dancing. Not excessively long after that word started to distribute and more and more people wanted to # 8220 ; party # 8221 ; . So the people throwing these parties sought out bigger topographic points to hold these parties that could suit more people. It grew so fast that secret information phone lines were created to forestall jobs with the governments. Over the following few old ages more and more people grew to love these parties for the music and the overall ambiance. Besides more and more electronic creative persons started to come up. As popular as these events were the truth is without the DJ none of it would hold been possible. In the early 1890ss this turning belowground motion started to organize easy in the United States and other states. These parties shortly took on the name of # 8220 ; raves # 8221 ; . In Europe these raves grew invariably. Soon there were raves being thrown with five to ten thousand people in attending. Soon thenceforth we started to see non merely the growing of a music and civilization but besides a new industry. There started to be more and more electronic creative persons come uping everyday. The engineering increased really fast every twelvemonth more new equipment allowed new originative boundaries to be broken. Soon the DJ easy started to go more of the focal point of these # 8220 ; raves # 8221 ; . DJ # 8217 ; s started to be the attractive forces of these raves alternatively of merely a topographic point to hold merriment. The DJ # 8217 ; s started to do names for themselves along with this came different manners of DJing. One of the first manners of electronic music created was house music. This music rapidly moved into cabarets and raves. Soon thenceforth many different manners of electronic music were born. Such as, interruption round, membranophone and bass, difficult house, enchantment, progressive enchantment, large round, and happy hardcore ( www.clubdance.com ) . DJ # 8217 ; s started to specialise in certain types of electronic music. Some started to see themselves non merely as DJ # 8217 ; s but besides artists. The music became more about look and integrity. In a recent documental membranophone and bass creative person Roni Size says ( Better Living Through Circuitry ) # 8220 ; When I step behind the tabular arraies at a party it # 8217 ; s more than merely playing paths for a group of people. It # 8217 ; s like my end to take these people to a topographic point they have non been earlier. To make a mix that is so alone and intense that takes the audience and puts them all into a new topographic point together. It # 8217 ; s an art signifier! # 8221 ; As you can see by this statement these DJ # 8217 ; s take their occupations earnestly. Soon DJ # 8217 ; s started to non merely put out many mix cadmium # 8217 ; s but besides they started bring forthing their ain paths. I think tha t this was a great discovery in this type of music. Over the past few old ages some of the best electronic albums put out have been by DJ # 8217 ; s. DJ # 8217 ; s shortly started to travel on their ain Tourss, playing locales that stone sets play at. They were non merely playing at these locales but besides selling them out at the same clip. Perfect grounds of this comes from a book The Ambient Century, # 8220 ; Dance music exploded into a phenomenon that seemed to hold no terminal. As the music mutated, new signifiers were thrown up by the twelvemonth. Ambient House and Ambient Techno were mind balming responses to the strength of the club civilization. Trip-hop and Drum and Bass were UK black fluctuations of what was originally an invention by black Americans. Rock music absorbed House and Techno, and DJ # 8217 ; s and electronicists began to tour and move like stone stars. As one century tipped into another, dance music was still a primary beginning of involvement and creati veness as Trance, a futuristic blend of engineering and House and Techno, became a chart-topping, Earth deadening esthesis # 8221 ; ( Prendergast pg 367 ) . Another great more specific illustration of this is Paul Oakenfold as written in Last dark a DJ saved my life, # 8220 ; When Paul Oakenfold plays records in a nine, every individual on the dance floor will be confronting him. Just like they # 8217 ; 500 face a stone set on a phase. There # 8217 ; s non much to see: a baseball cap possibly, a studious face tilting into a brace of earphones, some minimum arm motions as he slides in another unflawed mix. Occasionally he might throw his custodies up in exhilaration, smiling out in response to a peculiarly expansive path, or portion a blink of an eye with some energetic fan, and when he does, there # 8217 ; ll be a sea of custodies aloft, a jailbreak of beckoning and smile, an ocean of smiling terpsichoreans mirroring his every gesture. For he is a ace # 8221 ; ( Brewster pg 38 4 ) . Along with these Tourss came one-year festivals. Huge festivals every twelvemonth with sometimes over a 100 thousand people in attending. Some of these are Love Parade and Gatecrasher ( www.loveparade.com ) A ; ( www.gatecrasher.com ) . Just like any music industry this one shortly started holding conventions. The biggest 1 is the Winter Music Conference ( www.wmcon.com ) . This normally includes anybody and everybody in electronic music. A three twenty-four hours long festival including a show window of the new cogwheel and equipment and the best endowment in the music acting. In Europe now DJ # 8217 ; s are going bigger than stone stars. They walk down the street and people flock. DJ # 8217 ; s like this are Fatboy Slim, Paul Oakenfold, Carl Cox and John Digweed ( www.yahoo.com ) . So now that you have a brief background on the history of DJ # 8217 ; s you might inquire what different types of occupations are available out at that place for DJ # 8217 ; s. Well foremost of all there is the sort of Disk-jockeying I have been chiefly concentrating on that is the rave DJ. There are besides many chances for work these yearss in dark nines all over the universe. The dark nine industry now is going a really big industry. Some are stating even more so that the yearss of Studio Fifty-Four. Besides there are a batch of occupations as Mobile DJ # 8217 ; s. These DJ # 8217 ; s normally work for a company. These companies do parties, nuptialss, and all kinds of particular events. On a sail I went on last summer I met a nomadic DJ that works out of Houston. He said, # 8220 ; Even though I have a grade in Communications I cant beat the sum of available work and the money of being a DJ. I can draw in 60,000 to 70,000 a twelvemonth if I work hard.† This alone shows how in need the universe is of DJ’s. So now that you have a good thought of the history of DJ # 8217 ; s and what occupations are available you might be inquiring what it takes to be a good DJ. Well this inquiry all depends on whom you ask. So I have collaborated different thought of what a good DJ is. First of all a good DJ has to cognize the music he is whirling. Not merely does he hold to cognize it like the dorsum of his manus but besides they have to hold a love for the music. Without the love and passion for this occupation so it changes from an art signifier to merely playing music. A good DJ has to hold cognition of the crowd and how to work them into craze. Many different small accomplishments are all combined together to do a great DJ. DJ Tony Humphries who has worked professionally since 1977 and has been a major influence on his equals in New York City, speaks from an belowground position on a good Disk jockey: # 8220 ; DJ # 8217 ; s have to understand the construct of programming. How to interrupt a reco rd. How to play with records, repetition presentations, lengthen interruptions, terminations # 8230 ; # 8230 ; There is an art to programming your set # 8230 ; # 8230 ; .The DJ who plays all his hottest records in a row is non making his occupation right. You can # 8217 ; t play all your best stuff all at one time because you want to salvage some of it for later in the eventide. The DJ does non into that power record the same manner the crowd does. You are supposed to be separate from the crowd. You # 8217 ; rheniums supposed to be into exposing them to new stuff. So, what you do is play a path, followed by something new and so you back it up with something they know and like. It # 8217 ; s like a train drive. The crowd becomes trustworthy that you will come back with something they like. It # 8217 ; s the fifteen-minute game. About every 3rd vocal, you give them a good known vocal. After one hr, the crowd has been exposed to ten new records. That manner, you please yourself and the crowd. Larry Levan was great at this. The most of import thing to retrieve is that musical content, how you plan, is more of import than existent commixture accomplishments sometimes # 8221 ; ( Fikentscher p38 ) . As you can see there are many different things that a DJ has to cognize. Another position of a good DJ was taken from a book called Last dark a DJ saved my life, # 8220 ; At its most basic DJing is the act of showing a series of records for an audience # 8217 ; s enjoyment. So at the simplest degree a DJ is a presenter. This is what wireless DJ # 8217 ; s do, they introduce music. However the nine DJ has mostly abandoned this function for something more musically originative. To go a good DJ you have to develop the hungriness. You have to seek for new records with the insane ardor of a gold haste prospector excavation in a snowstorm. The kernel of the DJ # 8217 ; s trade is choosing which records to play and in what order. A great DJ should be able to travel a crowd on the most crude equipment. More than anything else, it # 8217 ; s how sensitively a DJ can interact with a crowd. A good DJ International Relations and Security Network # 8217 ; t merely stringing records together, he # 8217 ; s commanding the relationship between some music and 100s of people. A good DJ is ever looking at the crowd, seeing what they like, seeing whether it # 8217 ; s working or non ; pass oning with them, smiling at them. And a bad DJ is ever looking down at the decks and merely making whatever they practiced in their sleeping room # 8221 ; ( Brewster pg 9 ) . As you can see it # 8217 ; s non every bit easy as it might foremost look a batch of clip and dedication to derive the cognition. To acquire a more personal penetration on the subject of what a good DJ is and many other things I interviewed a good known DJ of New Mexico and Texas DJ Tim House. When I went to Tim # 8217 ; s house of class before we started the interview we took turns DJing for approximately 2 hours. Once we sat down I got a great penetration on the DJ universe through his eyes. First he stated that the term # 8220 ; DJ # 8221 ; he thinks is a really wide term he said there are DJ # 8217 ; s that are merely up at that place playing records and so there are DJ # 8217 ; s like myself who like to believe of ourselves as entertainers and instrumentalists. # 8220 ; You have to pass on with everybody through your music alternatively of with words # 8221 ; . When asked what his definition of a good Disk jockey was he smiled and replied, # 8220 ; When a DJ can entertain any audience given to them. When they can take a group of people that is wholly different and unite all of them with music # 8230 ; .It is a really beautiful thing # 8221 ; . One of the most of import inquiries that I asked Tim was if he himself considered being a DJ as a serious profession . He replied, # 8220 ; Oh, most decidedly! Of class it depends what he is making with it and how difficult he works but ya it pays my measures # 8221 ; . And one last inquiry I asked was why do you believe that some people might non believe of a DJ as a serious profession. He replied, # 8220 ; They don # 8217 ; t see the electronic civilization at least non yet, everybody will finally. Peoples have and ever will desire to dance! # 8221 ; . As you can see people in this profession and people in this civilization take the occupation of a DJ really serious. Now that you have al this cognition do you desire to cognize my personal sentiment? Well foremost of all I started Disk-jockeying when I was 15. Something about it for me merely fascinated me. It became more and more interesting to me mundane as I would tilt more about the civilization and the history. I would come place from school and travel directly up to my room to blend for the remainder of the twenty-four hours sometimes. It is my lone passion that I have of all time had. I love playing for people whether it # 8217 ; s in my room, at a party, or in a nine. I love it. Already I have made money making this. I mean New Years eve I made two hundred dollars for one hours work. What occupation is better than this? Well the reply is there is no better profession than a DJ. You get to entertain people, be a musician, and make what you love. Throughout this paper I have filled you # 8217 ; re heard with cognition of the DJ and it # 8217 ; s civilization so you can break understand how great of a profession this truly is. How many people if you asked them would state they love to travel to work and their occupation is their passion. Not that many! If you asked me or any other DJ they could state yes. Brewster, Bill. Last dark a DJ saved my life: New York: Headline Book Publishing, 1999. Fikentscher, Kai. # 8220 ; You Better Work! # 8221 ; Underground Dance Music In New York City: Hannover: Wesleyan University Press, 2000 House, Tim. DJ, Midwest Area. Personal Interview. 15 Mar 2001. Prendergast, Mark. The Ambient Century: New York: Bloomsbury Publishing, 2000 Reiss, Jon, dir. Better Populating Through Circuitry. DVD A Cleopatra Picture 2000. hypertext transfer protocol: //www.clubdance.nl/english/index_frame.html hypertext transfer protocol: //www.loveparade.de/ hypertext transfer protocol: //www.wmcon.com/mn_abtus.htm hypertext transfer protocol: //www.dir.yahoo.com/entertainment/music/artists/by_genre/electronical/disc_jockeys/ hypertext transfer protocol: //www.gatecrasher.com/gc3flash/welcome.htm